| Flash Interview January 23, 2010 |
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Transcriber's Note--Derek Hyde is a rare musician, one that has perspective on the past, including his own. He was the bass player in F at one time, so he and Flash go way back. His band Wolf Wench and her Sexy Plague Doctors is worth checking out.
Flash is a different kinda guy. He's guarded, and considering some of the things he's been through, I can't fault him for that. I'm acquainted with both him and the "other F" guys, so I can say that yes, what Ken Decter and Ravenous Gangrene did, using Flash's songs for the "You Are An EP" record was wrong, (and at the same time, Flash admits that Ravenous Gangrene should've been credited as co-composer) but the end result was one of the best records to come out of the south Florida punk scene. But Flash gets more credit for staying the course, and not suing anybody. And his version of F continues rockin' in 2026, and he's a good guy who never flinches when asked a question. DEREK HYDE INTRODUCTION When I was a kid in the Seventies my mom had a book in the cocktail cabinet that I would always hide in the middle of the floor and read: Jess Stearn "Yoga, Youth and Reincarnation." It seemed like I shouldn't be seeing this. He spoke of the third eye in the middle of your head. I was alternately scared of it and fascinated by the pictures in the middle of the book of him in the weird body contortions that I sat on the family room floor and tried my best to emulate. What was a Third Eye? What was this strange guy talking about? Why was a white guy talking about Eastern mysticism? It led me into Rock and Roll. It made me curious about drugs. Then there were the Beatles, Chuck Berry and Rolling Stones records lying about the house that I played on the old Grunding record player we had in the living room, and I knew somehow I had found myself. I had this grand idea, a while back, to do an oral history of the South Florida Punk scene ala the Legs McNeil and Gillian McCain masterpiece "Please Kill Me". Tom Seagraves christened it "At Least Kick the Shit Out of Me." The first interview was with Flash and it was a doozy. He told me everything and by the end of the night we were drunk and he was jumping on my couch (I'm not Oprah and he's not Tom Cruise). I ran into too many problems trying to do that book. People got scared. I was told to retract content, not use interviews and not offend anyone. This went against all of my instincts. It made me drop the entire project. I went back into playing rock and roll when The Pop Skulls re-formed. But what you have here is the surviving interview of the book that could have been. And Flash even edited out some of the juicy bits about Pete Moss. Oh well. Derek Hyde interviews Flash 1/23/10 Photo: Breta Branyon Flash--What was wrong with it? (laughs) How much tape have you got? (laughs again, longer this time) Derek--Tell me the thing about how everyone had their head up their ass, and that's why...like, this is being done. Flash----Right, so you're talking about doing a book, because no one had ever done a book on the Florida punk scene. Derek--Which I'm shocked. Flash--Yeah, well, I think it's because everybody was just...you know, they themselves are important, and they didn't give a shit about anyone else, or helping any other bands out, and that's just been a running thing throughout. And it's not necessarily everybody, obviously there've been plenty of bands that I personally have gotten great gigs with, just because they say, "Hey, we like you, we're gonna help you out, and do this..." But overall, I think everybody is just so into themselves that they're not gonna spend time writing about somebody else. So, I think that's really one of the main reasons it (a book about the Florida punk scene) never came about, that and...I don't know how much anybody in the music scene is into the literary world! So to actually put a book together ....well, maybe we could draw you some pictures or something! (joking) Derek--(looking at an old Florida 'zine) There were some good bands in this back in the day. Flash--Mouth Of The Rat. Derek--Suburban Relapse, that kinda stuff. Tropical Depression, there was some good stuff there. Flash--Right. What about the Gold Coast Live one, did you ever...? Derek--Gold Coast Live was ok, it was cool, but yeah, I mean...that kinda disappeared after the '80s, whereas in other towns it kept on... Flash--Yeah, um....It was definitely different...sides of the scene....'cause you know they had this reunion thing, with The Cichlids and all that, did you go to that? When Johnny Depp's band played? Derek--Yeah, I was there. Flash--It was like, there was all those bands, and then there was all the bands that would hang out at Open (Books and Records), it was almost like, sort of two different kinds of things, like ....they were new bands, but they weren't necessarily punk bands, or they weren't really...well it was different, this side and that side, already established right from the beginning. Right from the beginning, you had the underground bands that were listening to stuff that nobody ever heard of, and then you had "We play new music, like Joan Jett, or Pat Benatar!" those bands. Photo: Breta Branyon
And then that sort of gave way, and it just kept evolving from one thing to another, and it's funny, because the scene, people say, "Ah well, the scene, I used to be in it a long time ago, when I was..." It's always been around, it's just changed, it's evolved. And I get kids coming up to me, going, "Wow, I've heard about F my whole life!" And I think, "Holy shit! How can that be?" But it's true, we've been around for such a long time, and so many people just give it five years or so, and then say, "That's it, I've had it, OUT." But it's a different experience for everybody, I think. And it's also what you make out of it. Some people say, "I'm not famous, I didn't make a million dollars, I hate it, I had a terrible time!" And I'm like, "Well, I guess that's what you were in it for." You know? I wasn't in it for the money, I wasn't in it for the girls, I wasn't in it for the drugs, I was in it for excitement! Period. You know? And that's STILL what I'm aiming for. The excitement! And when I get that adrenaline rush onstage, with enough people out front, I mean nothing tops it. Nothing, those are the best times of my life. "What's the best thing that ever happened in your life?" Those shows! That's the greatest! I don't think you can take a drug that equals that, something about it. And it's a funny thing, I know when that happens, because I don't remember! I'll be watching the video of the show, and there'll be things happening that I have no recollection of, I'm going, "What's happening?" It's just, you get into that zone, that third quarter of the show or something, and it's just like....I'm doing it, and things are going on, but, it's like, even right after the show people say, "That was incredible when you did this and that ..." And I say, "When did that happen?" Yeah, I'm just totally zoned out, it's such a weird thing. At first I thought, "Jeez, I must be losing my memory." But it's not that at all, 'cause I remember plenty of stuff afterwards, and onwards from the minute we get done. But just...you get into that zone, that's really the magic, and that's where it's at. It's all a combination of the songs, the people out front, and it's always different. It's like when you go see a movie at a theater, versus watching it at home. It's always a different experience because a movie at a theater, the peoples' reactions around you, there will always be something different going on, they'll laugh in different places, they'll either like it or they won't like it, so that changes the whole experience for you. Whereas if you were just watching it at home, it's just you. So, the (F live) shows, depending on the people there, it's always a different experience. Some of them go crazy over one song, some over another. And you never know what's gonna trigger it, or what's gonna elevate it to that level of...psycho-drama, or whatever it is. But, anyway, that's what I'm in it (music) for, and I think people in the scene, who thought the scene was shit, or thought, "Oh, everything down here sucks!" It's because they made it that way for themselves! Derek--Early on, that attitude was very prevalent. Flash--You know, it's ridiculous! And our society (wants) instant gratification, and if you don't get it, it's 'cause everything sucks! Oh well, that's it, huh? (forced laugh) Terrible! It's the convenience store mentality, you know? (shouts) "I want it all and I want it now!" Well I didn't necessarily want it all, and I still don't. Do I want it now? Well, I'll take it if it's there, but I'll take it whenever it comes. You know? Photo: William White
Derek--Ok, so give me the Pork Dukes story. Flash--The Pork Dukes story. At the beginning of September I get this call, and they're gonna come to America and do a 10-day tour. And the guitarist Stew, is telling me that his brother, the singer, says he's not gonna do it. So I said, "Well, how come?" He says, "He's just, he's made up his mind, he's not coming to America." So I said, "I guess, you know, you gotta cancel." He goes, "We've bought the airline tickets and we've paid for hotel rooms. We're not getting that money back. What are we gonna do? YOU DO IT!" I said, "I'm not gonna ...are you insane?" 'Cause their songs, they're very Cockney and very British. And even though I've been to England loads of times, I'm not British. Anyway, I said, "You've got to be able to get somebody in England, somebody else that'll do it." He says, "There's a possibility that Colin's son, the singer's son, may step in and do it. We're gonna do a run-through with him and see how it goes." I said, "Great." So I'm thinking, "That's gonna be what happens, 'cause this is ridiculous! They're gonna come over here and I'm gonna do it?" I don't know the songs, I'm only vaguely familiar with them. So then, two days later, I get the call. "He's (Colin's son) out! He's not doing it, he's a stoner, he came in and he didn't know any of the songs, YOU'RE DOING IT!" (somewhat forced laughter) He says, "What shows can you do?" And I said, "Well, if I'm gonna do any of 'em, I'll do 'em all. What have you got?" He said, "We've got..." I don't know what it was, nine shows or so, throughout the states! So two weeks (before the tour starts), I start cramming these songs, a whole set of songs, I'm just, like DRILLING them into my head. And I got the recordings, and I got the lyrics, and I'm just...(makes circular whizzing sound) And they've got all these crazy studio recordings, with different sound effects and everything, and I'm like, "Man! What's going on here?" But luckily, they recorded one live album, and that's more what it sounds like nowadays when they play so I grabbed that, and I just went with it. So ...two weeks go by, I fly up to Newark to meet them as they're coming in from London and we drive to Pennsylvania, where the first show is. Derek--When was this? Flash--This is still September! Derek--Holy crap! Ok. Flash--So we get to Pennsylvania and spend the night there. The next day, we rehearse in the afternoon, we run through the set once, that night is the first show in Allentown. So we go there, it's a wonderful setup, it's not a little shit place, it's got a nice, beautiful dressing room under the stage, with a bathroom, it's CATERED! (laughs) The caterer even has all this booze that he's made, all these schnapps and stuff, he's a crazy guy, it's great! There's a million bands on the bill, they play, we go on at god only knows when, and ...it's going down a storm! Fantastic you know, because everyone was like, "New singer, we don't know what's gonna happen here ..." And I told them, "Listen, I'm gonna do what I can, I can't do what he (Colin, the vocalist he replaced) does." (affects strong English accent) "I can't sing in all this cockney slang!" It was really hard to learn the lyrics too, because a lot of that slang, it meant nothing to me! And when you don't know what the words mean it's hard to connect them together. It's was like "Little Johnny says she's a right little thumper and the nearest he ever got to her was a hand up her jumper." And I'm thinking, "What the FUCK does any of that mean?" (laughs) So I memorized it all anyway, and so, the show goes down a storm. And just as we're getting done with the last song, here comes the bouncers, they're running onstage, going, "STOP! STOP!" And we're like, "Well, we're just finishing anyway!" And we hit the last note, and I see the crowd, FLY! Running for the doors! And I say, "Good night?" Like, "I wonder what's happening there? Jesus!" I turn to walk off, and I can smell something weird....smells like some chemical spill or something. They had MACED the crowd! And the mace went everywhere in the building, the bar, the merch stand...and it was coming onstage! And that's what I was smelling! I just got a whiff of it, and took off for the dressing room and slammed the door! I'm like, "Oh my god!" And it was pandemonium out there, with people trying to get out! (forced laughter) And yeah, they said it was turning into a riot out front! And I said, "WHAT??? Where was this?" And they're like (accusing), "Yeah, you should know, you were inciting them!" I said, "Oh please! What, are you shitting me? You got all these big-ass security guards, and that's how you handle it? You fucking spray them with mace???" And that was the first show! Derek--Wow! I had no idea! Holy crap! Flash--Yeah, the next day we go down to Washington DC, and we do a show down there. It's on Youtube, this guy did an interview with all of us sitting in there. My throat was hurting pretty good by then, from that fucking mace! Derek--I'm sure it was! Flash--So then, we go straight from the show, we get on a plane and we go to Vegas and play there. It was like the Churchills of Las Vegas, the Double Down. Derek--Oh, I love the Double Down Saloon! Flash--Have you been there? Derek--Yeah, I've been there, it's awesome! Photo: Breta Branyon Then they start saying, "We've also got three other gigs lined up for January!" And I said, "Well ... we'll see, we'll see." So ... then we played London, and two Italy gigs! Derek--Wow. Flash--So we go flying in, and as we're leaving (the US), the pilot's going, "Well, Gatwick Airport is closed, because it's snowed in." They get cold, but they don't usually get the snow. (in London) "But we've got eight and a half hours to go, so we'll see what happens." So we get there, and he says, "it's still closed, we've got to land at a different airport." I'm like, "Jesus Christ!" So we get off the plane, and I'm thinking, "How bad can it be?" And it's MAYHEM! There's snow everywhere, and nobody knows what's going on! Holy shit! We're staying with the drummer, me and (girlfriend) Breta went, so we get to his house, we crash there. And the next night we go to play the Twelve Bar club, and I'm saying, "Who's gonna come out in this crap?" (weather) But they did it, they filled the place up! Derek--Wow. Flash--And Colin, the singer, showed up, and got up and did a song with the band. They also did an acoustic thing before the electric thing, with him singing. So that was that, the next day we get on a plane and go to Venice, we get picked up there by a driver with a van that takes us to to the first place we play, which is in Verona, just a little bit west of Venice. It's this BIG warehouse, but it's all totally nice, almost like a dance club, it's so nice inside. Great sound equipment and stuff, in the middle of nowhere, and I'm thinking, "What is this? Who put all this money into it?" There's a band from America who's playing there with us, I don't remember their name. So, we run through our soundcheck, and then they do their soundcheck. And they (the club or the promoter) say, "Well, we've got dinner for everybody." "Wow!" We go upstairs, and it's pasta and salad and wine! So this guy from the other band, he starts talking, and I'm like, "Oh jeez, here we go, the ugly American." And he goes on and on and on about, (imitates the American in question) "Yeah, you know, I think you guys...and all this...they're trying to figure out the health care thing, and they're looking at all this shit you guys think is great over here..." On and on, opinion about this, opinion about that, and he says, "But I don't even watch the news, or read the paper, 'cause that's all just a bunch of bullshit, they're just gonna all skew it." So I say, "Well, so your opinion is based on NOTHING!" (laughs) He's like, "Where are you guys all from?" The guitar player says, "Well, we (the drummer and I) live in London, and the bass player he lives three hours west, in Herefordshire. And he's from Florida." Points to me, and the guy says, "Oh yeah? Ever hear of a band called F?" They all start laughing, and I go, "Yeah, it rings a bell." And he says, "Well, I put that CD out for Phil and Ken." (from the fake F) I say, "Oh yeah?" He says, "Yeah! So we got business to do." I say, "Yeah, we got business all right!" He goes, "Ah, I can get you some copies." (of the CD) I say, "What would I want that shit for?" "Oh well, we can come to some arrangement." I said, "Oh really? Good time to fucking ask, isn't it?" "Well, you know those guys, (Phil and Ken) it's their project." "Yeah, their project, and whose songs?" (Flash was the co-writer for 3 of the original songs on the "You Are An EP" record that the other version of F released after they split with Flash.) Derek--He didn't know, in his defense, right? Flash--I don't know, but he shut up pretty quick after that. Then after that we go to the hotel, and I'm telling those guys (The Pork Dukes), "Hey, I hope you don't think I'm aligned with that guy just because we're both from America. 'Cause I happen to think he's a fucking asshole! And I think our mission tonight is, we're gonna wipe the goddamn stage with these fucking morons! Right?" And the drummer says, "He did seem to be sort of a prick." And the other two guys were like, "Well I don't know, I couldn't really tell." So anyway, we get to the hotel, do all that, come back (to the venue). They (opening band) go on, and it's crap. Photo: Breta Branyon Flash--I don't even remember the name. The drummer couldn't make it, so they've got the promoter filling in on drums. They get done, to a lukewarm response. So we get out there, nice big stage, great sound, we just fucking let it RIP! And just fucking kick their ass! We get done with the show, and it's a big reaction, and there's people screaming and yelling and grabbing us and stuff, we come off the stage to the dressing room, and I'm the last one in, and I tell those guys, "Take THAT you fuckers!" And I look in the corner, and there's that guy. "YEAH, YOU!!!" And I go back onstage to take extra bows, come back in, and he's gone. Ok, so then the next day we drive to Milan. 2 1/2 hours to Milan, and we're playing at this communist squat! (laughs) It's this big ...fucking ...I don't know what! It's unbelievable, you go inside, and they've got everything! And it had electricity, I don't know how that works? I mean, they don't kick these people out? Derek--It's a European thing, that's how the Crass did it. Flash--It's wild! So we go in there, and we do the soundcheck... Derek--Those are the real anarchists, by the way. Flash--Yeah, I know! I could tell with all the commie stuff on the wall, though I couldn't really read it because it was all in Italian. But everybody spoke English, somewhat. So we did a soundcheck there, and once again, great fucking gear! Unbelievable, these places! The same band opening for us, and dinner once again, this time a four-course meal! (laughs) Outrageous! Derek--I've heard you get treated a lot better in Europe. Flash--Yeah! Great dressing room downstairs, and everything. So, same routine, we go to the hotel, get changed, come back (to the venue). Those guys go on, same bunch of crap. Although our guitar player says, "Sounds like they're trying harder tonight." I go, "Oh yeah? Too bad, their wasting their fucking time 'cause tonight we're gonna wipe 'em off the face of the earth!" And so we go on, and the place is sold out, it's just a madhouse. I mean, usually there's a part in the set, halfway through, where they do an instrumental, and I leave the stage, usually I go to the dressing room and the bass player sings a song as well. But I couldn't even get off the stage! (laughs) I just had to go hide in the corner! And it goes down a storm, and the place is just...off the hook! And there's like...just to leave the stage, is a major event, 'cause everybody's "RAGGHHHHH!!!" I'm like, "Holy shit! Ok, let go! Let go!" Get downstairs and there's all these girls going "RAGGHHHHH!!!" And most of them speak English all right, but it's sorta funny, 'cause they're translating, and this one girl she's saying something to another girl who speaks a little bit of English, so I say, "What's she saying?" "She says, she wants you to marry her!" (cackles madly) I'm like, "Oh, ok!" (laughs) And they come down, and they got a big tray of beers, and a bottle of vodka, and they're saying, "AHHH! Incredible, incredible!" I'm like, "Phew! Thanks!" And they (the club) say, "Don't leave, because we have a DVD for you." And I said, "A DVD?" They said, "Yeah, we filmed the show!" They filmed the show, and this thing, is like a pro filming, the sound is like a live album! I was amazed! I was like, "Are you kidding me with this?" (laughs) It's outrageous! BREAK Flash--Did you go to that Old Washed-Up South Florida Punk Picnic? Derek--Yeah, I wasn't gonna, but I did end up going. Flash--Do you know Mike Chatham? Derek--No, not really, I know who he is. Flash--He was there, he lives in New York, but he was down. So he was telling me he was talking to Charlie Pickett, and I said, "Oh, how's Charlie doing? We did a gig with him a couple of years ago, for the Gold Coast Live (messageboard) anniversary thing." And he says, "Ah, he's just Charlie, I think he really has no fucking idea what you try to do with F or anything, that's just such a complete alien world to him." I was like, "What are you talking about??" He says, "He's coming from a completely different viewpoint, he likes what you do, but I think he has no idea what it is or why you do it." And I said, "That's pretty funny!" We did the show, the Gold Coast Live thing with him and after the show, I got one of the best compliments I've ever gotten. I'm out in the parking lot, and Charlie comes up, and he says, "Well ... you still rock." And turns around and walks away! (laughs) I saw him a few months later, we were rehearsing down at SFRS Studios in Miami, and he was there doing a rehearsal. We we're getting ready to go and I saw him outside in the parking lot and he said, "Hey! Thanks for kickin' my ass the other ...at that show, at the Gold Coast Live thing!" I said, "What do you mean? You fucking blew our doors off! What are you talking about? I just did what I always do!" He says, "Well, I demand a rematch!" I said, "Ok Charlie." (laughs) We never got around to it, I still owe it to him! Derek--You will. Flash--So, to clarify for Charlie, if not for anybody else. What I'm getting at, is what I mentioned before, that excitement level. 'Cause people have this misconception that I'm trying to kill myself, when really what I'm trying to do is prove I'm alive! And I can see the confusion, but....we did this show, where we went on and the first line of the first song was about sliding a razor blade on your skin under blitzkrieg lights. So at the very beginning of the show, I took out a razor blade, and I thought, "This'll look good, I'll just touch my skin with it, and it'll just make a tiny cut." 'Course you get up there (onstage), and it's like, "Reoorrggh Reeoorrgghh Reeoorrgghh." And I go WHACK! and I do this horrible frigging incision, that threw blood everywhere throughout the whole show! Derek--What year was this? Photo: Breta Branyon Flash--That was the early 90s. And in my mind, I'm like, "I'm gonna prove that I'm alive, and I'm pumping blood!" It was that sort of an abstract thought. And once I got offstage, I was alright with it, physically, 'cause I duct-taped it up after the show, and mentally, because I knew what I was talking about. But talking to these people after the show really freaked me out! 'Cause they're like, (concerned voice) "Oh, we love you, but god, don't do that to yourself! You're trying to kill yourself and you hate yourself! Don't despise yourself like that!" And I'm thinking, "Jesus Christ! What are you going on about? It's a celebration, it's not all this!" And then I stopped to think, "Jesus, is that really why I'm doing it?" It really confused me for a little bit. I mean, I was in a funk for a few days after that show, until I came around and I said, "What the fuck are they talking about? This is the celebration of self destruction, that's all! " And some other shows we did, I had this idea, of what would it be like, and what does it imply, if you take a mirror up onstage? and I could do this during "Such Men Are Dangerous", and as I'm saying, "Such men are dangerous!", show the mirror to the audience, and it's who am I talking about? These are the men who are dangerous, and as we wrap up the song, take that mirror and just BELT it one. And that's what I did! I said, "Man, just imagine all the implications of that!" You know? You're punching yourself out, you're killing yourself, you've got the bad luck omen over you, but at the same time, you're showing the audience and they're just disappearing, I didn't count on the light catching it all, it was just this incredible shattered glass, flying that way, and that became a thing I did a few times... Derek--What year was that? Flash--I've done that for the last twenty years, off and on, different shows. The first time I did it was in ...'83, and the last time I did it was six months ago. (laughs) So just on special occasions, when the crowd is revved up, 'cause I've brought it to shows and not used it, because the show didn't warrant it, or I wasn't in the right place, or whatever. Whatever it is that it's all about, see 'cause I don't understand it 100% myself! I can try and explain it to people like Charlie...what exactly that I'm trying to get at, it's not about...just being on drugs or....'Cause sometimes people think, "Certainly you're on heroin!" I say, "I'm not on heroin!" "Well, you're drunk!" I say, "I couldn't fucking do that if I was drunk!" "Well you're on crack!" I say, "I'm not on crack! What's WRONG with you?" (laughs) Derek--If you were on crack, you wouldn't have made it to the gig. (laughs) Flash--Right?....And it's funny, 'cause I've done it (smashed the mirror onstage), and I've cut my hand pretty badly, and people come up to me after the show and they're shaking my hand, and say, "Well, that's incredible! That just looks so awesome! How did you do that without cutting your hand?" And I say, "I CUT my hand!" And as they're shaking my hand, they stop and they look at it, and now their hand is full of blood, and they're like, "You sick bastard!" And I tell them, "This isn't a fucking magic show! I'm not David Copperfield here! I'm hitting the fucking mirror and I'm getting cut!" But that's what it's all about! It's that exciting and it's that dangerous, and anything can fucking happen! Derek--That's insane. Flash--And then I also thought, another great image would be, is...to deface yourself, to graffiti yourself. And that's where the idea for the spray paint came from. I thought, "What can I do? And it would be, a sort of a statement like that." 'Cause I was really influenced by a lot of the crazy sort of things that happened in the late '60s, and the big socio-commentary things that bands were doing. So I was pretty aware of that kind of thing, and not just into going out like Kiss, and having something explode for no fucking reason. So I thought, "Well..." The first time I did it, I jumped out into the audience and spray-painted people's shirts. In 1984. Derek--How did people react to that? Flash--They loved it. Derek--Really? Flash--Yeah, everybody was standing in front of me with their arms open, like, "Me next!" Derek--Wow. Flash--Yeah. Derek--I doubt that would happen today. Flash--Nah, not today. That was back in the days when everybody was into trying something different. Now I'd get sued, right? So then it became a thing of, "I'll spray-paint myself!" And I said, "Well, what am I gonna write? There's not much room on here!" (laughs) So I thought, "The name of the band, one letter, there it is!" So that became the big ending of the show, and it's so funny because....After having the backdrop, and after doing that, I still get people coming up to me saying, "What's the name of your band?" I go, "You gotta be fucking kidding me!" (laughs hysterically) "Holy shit, are you BLIND? Christ!" But it's all about, how exciting can you make it? And the songs are also sort-of written like that, to....really rev up, rev up the crowd, REALLY get 'em going, push it/push it/push it/push it! And then right when you get to the very end, it's like, "Push it over the TOP!" And that's what I think is where it's at, that's what I've been trying to do for a long time. And it's a difficult thing 'cause you never know...how much is too much? If it ever came to the point of, "Well, I've gotta jog two miles a day to be able to do the show," then I think it's wrong, I think it's become an olympic athlete thing, and that's not what it's all about. I should be able to live life like any rock n' roller, and not be a fucking ...some kinda jock, but be able to do the show. So I think that once you get to that level, where you can't do it ... Now, I don't drink before the show, but it's not because I don't like drinking or anything, it's because it robs me of that adrenaline, I gotta be one hundred percent pure. I could have a drink if I want to, but it slows me down. And when I really feel it, is when I'm stone-cold sober so that's it. So I think if it ever gets to the point where it's like, "Well, I need to start working out to be able to do the show," then the show needs to be scaled back. 'Cause it's not about that, it's not about, "Look! I'm a fucking acrobat now! I"m doing flips!...Wait till the solo, I'm gonna fly through the air on a trapeze!" It's not about that. Just the same as it's not a fucking magic show! So, really, a little goes a long way, 'cause I've had people come up and say, "Ah, you should do this, you should do that!" I'm like, "Listen....No! I'm not doing all this crazy shit like some big, pyrotechnic display." I mean, I'd like to have a nicer light show or just something going on visually like that, but ... it's fine where it's used, but not for me. Derek--All right, I'm gonna throw a name out--Robert Mascaro. Flash--Robert Mascaro! (extended laugh) I didn't know him but I knew he was the manager of The Cichlids, and I saw him around the scene, he was booking bands at Finders Lounge in 1982. And he booked a couple of shows for F, one with Charlie Pickett, I think he did one with the Spanish Dogs. And although we played with the original Misfits at Finders Lounge, I don't think he was in on that one. So, years went by, he sort of disappeared, then he resurfaced, and it came up that he wanted to try and manage us. Derek--Did you know him well back in the day? Flash--Acquaintance, didn't know him that well. So, here's another guy who really didn't know what the band was all about. And he was suggesting, "Why don't you guys do sort of a song like CCR?" (Sarcastically) "Yeah, right! What are you fucking talking about?" He had all these bizarre ideas for the sound. I said, "Don't worry about the sound, worry about getting gigs." Now, unfortunately by that time he was burnt out, on what? I don't know. I mean, he was really a nervous wreck! Photo: Breta Branyon Derek--He had health problems. Flash--He was back living with his parents. Derek--He had already had a heart attack. That's worse than being burnt out. Flash--Yeah, so I'd pick him up and we'd go to rehearsal, he was not functioning anymore and I gave it a go, but he had no idea, and he had no connections anymore. I personally got along with him fine, because I grew up in New York, so I can get along with New Yorkers of that ilk, you know? To some people he seemed very rude and abrasive and everything, and it's like ...he was alright, he was always ok to me, and always up-front about stuff. And if he had no money, he would say, "You think you could front me a little bit of money to come out and try and get you some gigs and this and that? " And I would, because it was taking up his time, and he was coming out and stuff, so ... After that, I never saw him, don't know what ever became of him. Derek--He's nuts. Flash--(laughs) I've forgotten exactly what happened during this one show, I know I broke some ceiling tiles there (Finders Lounge) with my head. You know, just the usual vandalism. But after the show, whoever we were opening for was on, and I could see Robert across the room, and he pointed at me very angrily. And started coming over, the only thing I could think of to do was run! (laughs) So I ran downstairs, and they had the bathrooms downstairs, I heard him coming, so I ducked into the ladies room, and I heard him go into the mens room, so I ran back out! (laughs) And as I'm doing it, I'm thinking, "Why am I running? I'm running through the club, and he's running after me. And I get out into the parking lot, and I lose him. I still don't know what it was! That was one of the stupidest things, and I actually remember it! Derek--He could be intimidating. Flash--Yeah, he was coming after me for something, and it was so funny...I was laughing the whole way, 'cause it was like, "Oh! Better run, look out!" Derek--What about The Cichlids? Flash--Didn't know them. I was only a fan at that time, 1980. Although I was in bands, I really wasn't playing the clubs. I didn't know them, I saw the show at Peaches (Records), the Halloween show in 1979, might have said "Hi!" or something, but I was just a kid. Derek--What about Z-Cars? Flash--Saw them once and didn't like them. Like I said before, that was the commercial side of things. I was into The Reactions... Derek--Critical Mass, that was probably before your time also. Flash--I mean, I was a fan in the audience, a face in the crowd. I was playing, we were learning how to play our instruments, and we were playing covers, I hadn't written a single song at that point. It was 1980, and the bands I was into at the time, was The EAT, and I did like The Cichlids. Derek--Did you have any interaction with The EAT guys? Flash--I mostly knew Chris (Cottie), the drummer. I talked to him the most. He was more accessible, he would come out to the crowd, and say, "How ya doin?" I could talk to him. I spoke to Eddie here and there, but didn't know him. Derek--Just a fan. Flash--Just a fan, yeah. But that's the side that I was into, them, The Reactions, The Roll'n'Pinz... Derek--Oh, Steve Hoffman (Roll'n'Pinz front man), that's a whole chapter all on it's own. Flash--(laughs) Well, he ran a club for awhile, called Snuffy's. It was on Oakland Park (Blvd.), and it was an upstairs thing, we had to drag all the gear up, it was terrible. Derek--I didn't know you played that. Flash--Yeah, we played it. So we get in there, we're doing a soundcheck, and....He's being real arrogant. Just pushing everybody around, "Do this! Do that!" And Mike Chatham, our bassist, is up there checking his mic, and Steve goes, (loudly) "Talk into your mic!" "Ok, one-two, one-two." "LOUDER!" "One-two one-two." "I SAID LOUDER!" (slightly louder) "Ok, one-two one two." So finally Steve goes up to the stage yells into the mic and it goes, "WUUUUUU!!! (Feedback) Ok, see, now you know you got a problem!" And I said, "I knew that when we walked in this place!" (laughs) And he looks out and says, "Who said that?" (laughs) I'm thinking, "You know, if you're gonna be such a hothead, maybe this isn't the right profession for you, dealing with bands and all this shit." I mean, I saw a bunch of crazy shows that they did, The Roll'n'Pinz, at the Agora. I thought it was pretty entertaining. And I've talked to him here and there, and he....this guy is off the hook, he needs to be committed! (laughs) Derek--He's crazy. He used to harass me, when the Creepy T's needed a drummer at some point, and I was dumb enough to put an ad in The Rag, and he used to call me, like three times a day, to try and be the drummer. Flash--What? Since when is he a drummer? Derek--Evidently he does a stand-up drummer thing, where he plays drums. But I'm like, "I'm not dealing with a double-crazy drummer!" Steve Hoffman, the drummer? No way! Photo: Breta Branyon Flash--I had an ad in The Rag for something or another, around then, and he answered it. So he's going on and on and on and on, and I didn't know who it was. Derek--Yeah, he would never tell you who he was, you'd have to figure it out. Flash--But then somehow it came out that he was in The Roll'n'Pinz, and it was so funny, because the minute I told him I had seen them and thought they were pretty good and liked when they did this crazy version of "Purple Haze", then everything turned, and he was a star, and he couldn't be bothered talking to me. And he cut me off and hung up! (laughs) Can you believe that guy? (laughs longer) Oh my god! What's the matter with him? BREAK Flash--So I saw an ad in the back of Rolling Stone, and I'm surprised it was in such a magazine, but this guy was like, "Wanna get signed? You need exposure! etc etc." kinda crap. So I called him up, and he said, "If you'd be willing to come out here, we can get some kind of a publicity thing going." And this was right after Two Live Crew and all that censorship bullshit that was happening. So I said, "Well-ah, what have you got in mind? The band is like... I described the band to him, and I said, "Pretty much any fucking thing goes!" (chuckling) And he's like, "Jeez, I dunno, you could probably come out, you know, the name of the band is F, come out and fucking ....brand women with the name of the band or something!" And I said, (Yelling) "WHAT? THAT'S A GREAT IDEA!!!" And he goes, "Are you serious?" And I say, "Come on, is there anyway we could possibly do that?" He's like, "Well, honestly, you couldn't do it for real." I said, "Well, it's Hollywood, isn't it?" So one thing led to another, he figured out a way, he said, "If you guys can come out here, and for X amount of dollars..." So I said "Right, we'll do this thing, and we'll film it, and we'll try and leak it to the press, and cause some kinda controversy just for publicity's sake." So that was the plan from the beginning, we're gonna go out there, and he says, "And, possibly, I'll see if I can line up a show." Alright, so off we go on our merry way. (laughs) I don't even remember what I told the band, what was gonna happen when we got there, 'cause I don't think I divulged all that information to everyone, did I? Derek--Yeah, you did. (Derek was the bass player in F at this time) Flash--Did I? To you guys? 'Cause I think at the time we were in-between drummers? Derek--No, Pete (Moss) went with us. Flash--Pete went with us, but I don't think he was the official drummer, because I think he came along, thinking that.... Derek--No, I thought he was? Flash and Tom Seagraves--No! Tom Seagraves--No, remember there was stuff going on, and he went at the last minute, because I was gonna go, and then I gave my plane ticket to Pete Moss, to make it the complete, cohesive, coherent ... Derek--He was the drummer after that. Flash--Yeah, after that we won him over, right? But Pete being Pete, I didn't want to tell him all that business, in case he got scared. You know what I mean? 'Cause I've known him, since we were in our first band together when I was seventeen. But...It's just the kinda thing that would send him running, It's like, (imitating Pete) "Ohhhhhh, I don't know, and there's gonna be girls and this and that" So he went on the ruse that we were gonna play. Yeah, so he was a little upset with me, about that. Derek--I actually didn't know that, because you told me about the trip, I knew what it was gonna be. Flash--You were on the same page. Derek--Well yeah, of course, I mean, I thought it was better than playing! Flash--He would of been a little scared about being around girls, and wouldn't want to do that kind of thing. And it was nothing but....he got a little shy like that. Yeah, he told me, 'cause he said "Well, I'm not very happy that I was lied to!" (laughs) That's what he told me, and I was, "Well Pete, it was just enough for....just to get you out there." When we got done and we got back, it was all, "We had a great time! Oh man!" So anyway, we fly out to LA. and we meet up with this shyster (laughs) and he's like, "Oh yeah, I got a plan, we're gonna film it in the penthouse of this building! I got you guys all the accommodations!" The accommodations were at a hostel with this myriad of maniacs! I mean, most were alright. Derek--Who were your roommates? Flash--My roommates were a guy and a girl, he liked her, she didn't know it, she was dating somebody else. They stayed up half the night, they invited a bunch of people over, and we were up until 4 o'clock in the morning. Derek--Oh yeah, you had a party in your room, after I slept on the beach, you told me that. Flash--Yeah, and you got stuck with Norman Bates! (laughs) Derek--Yeah, I didn't stay in my room at all. Flash--I don't blame you, and remember you showed me the room? And remember you showed me the bathtub? And out from the closet pops Johnny B Goode! Ha ha ha ha! And Keith and Pete had a room. (Keith Shriver, F guitarist) Derek--Yeah, I got kicked out of their room. Flash--I didn't even get into their room! Derek--That's when I became homeless, at first I knocked on your window. Flash--Yeah, I did hear it, but I didn't know what it was, 'cause I heard a sound, and I looked around, and I didn't hear it again, so I said, "Oh well" Derek--And then I went, and Pete let me in, and I was like, crashed out on the floor or something, and the British roommate chick that they had, came in and flipped out that I was in there, and kicked me out, so I ended up homeless! (laughs) Flash--Did you know that last year I was over there? I had a rental car and I drove down to the end of Venice Beach, parked, got out, walked down the beach, was looking for that place that we stayed at. Just as I was about to give up, I turned right, and there it was! Photo: Breta Branyon Derek--Wow! Flash--There was the little cafe that we ate at, that outdoor thing. There was the Ellison hotel, everything was right there, I was like, "HA HA, how bizarre!" What a freaky time-trip it was! Derek--I loved Venice Beach, I thought it was cool. Flash--It was wicked. Derek--Yeah. Flash--Remember that guy yelling at Keith for taking pictures of him? Derek--Keith flipped out! Flash--Now, see, there's a straight guy, and his whole straight world got unravelled...and...I mean...I'm not a drug addict, but I aint straight! And he was like....just made the sound of a square, and he was just totally....blown away! Derek--He was like, "This promoter can kiss my ass!" Flash--(cackles) And then he goes on to drink so much Jack Daniels that he's having....I don't know what the fuck was happening, a mental breakdown! OK, so we get there, the guy, he's promising all this stuff, "We're going to film it in a penthouse!" The penthouse is nothing but this little top....this little room in this place, at the hostel where we're staying. Derek--No, it was a different hotel. Flash--That's what it turned out to be, 'cause originally he was saying we were gonna do it there, then he came up with, that it was gonna be different...another place. So alright, he seems like the usual California record executive, (businessman voice, stern and authoritative) "Ah...we gotta move some units!", you know what I mean? One of those types, so we end up going to a girl's apartment, he's got these chicks lined up, who are gonna be in on the acting part of this whole thing, he's got a guy lined up doing special effects. He's got a branding iron, he's got a tube going behind it that makes it look like it's all real, it's pretty cool to be, semi-Hollywood! So we go there, and he's got that tray of pills, remember the tray of pills? Derek--How could I forget? Flash--What was it? Was it even anything? Was it Contac? Was it...? Derek--No, it was real, he let me and Pete get that shit! Flash--(laughs) I didn't touch it Derek--He was passed out on the toilet! Flash--Because he's just Pete. Derek--No, because he was on pills! I popped a couple of 'em Flash--So we're in there, it's a party situation, um...We start getting into the filming thing, he's playing F music on a boom box in the background. And here's the girls, and we're getting along alright with them, there was one Australian chick... Derek--They were nice, there was a girl from Colorado who smoked her whole quarter of pot with me and Pete. I was so stoned out of my mind, you have no idea! Flash--And it's so funny, because you watch the video that we filmed, you know, the little promotional controversial thing, and it does seem pretty convincing, and pretty dangerous! But if you were to stop, and see the rest of the footage, everybody's like, (serious actor voices) "Well, I think that was pretty good. How'd you think it went?" "Well, you know, it was very nice, I think." "It's not too much smoke for you?" "Oh no, no, it was very lovely!" It was a great job of acting, anyway. But as that continued on, it started to spiral out of control. Between everybody just grabbing handfuls of pills, and gulping mass quantities of whiskey. (Keith!) And then ...Mr. Promoter talking that chick into going topless, remember that? That same guy, the guy in charge, that was his idea, (business voice) "It won't mean anything, nothing will happen...we're all here..." So ok, she does it, the other girls didn't like that, and in comes these guys... Derek--The Australian girl flipped out and made a phone call. Flash--Ok, so in comes these guys, and now, we're in the middle of fucking "Animal House". Like these sororities , or all these fraternities and shit, and we're like, "What's going on?" And here we are, this band from Florida, just desperately trying to make it out alive! And I just remember heading out of there, heading towards the elevator in more than a hurry and with people chasing us! (cackles) And so we went down, picked a street, and TOOK OFF! I remember us not exactly running at full speed, but we were jogging the hell out of there! Derek--And then I had to buy that fucking guy a sandwich! Flash--(extended cackle) I forgot about the fucking guy's sandwich, what happened there? Derek--The promoter guy, after we got done booking out of there. Flash--You bought him a sandwich? I don't remember that. Derek--We stopped at that street stand, and me and you got food. Flash--That's the price you PAY!! You paid your dues, son! (laughs) Derek--That was hysterical. Flash--We were there for two days, and the next day we flew out. Derek--Oh, I remember on the plane ride home, you drank every little bottle of liquor on the plane, you kept on mixing them, I had never seen you that drunk. Flash--(hearty laugh) Well, that's my thing. You know how people say that you should never mix (different types of) alcohol, because you'll get really sick? Well if I drink one (type of) alcohol, like if I just drink gin and tonics all night, I'll get really really sick, but if I have a gin and tonic, a vodka and orange, a jack and coke, a rum and coke, and a beer, I'm fine. If I have the whole spectrum of shit, I'm fine. So I don't know, I'm wired differently, I don't know what that's all about. Remember Pete and his Skittles? I'll always remember that. He had all these Skittles, and he had them all lined up according to color. (laughs) And it was like, what's the Chinese thing they count on? It looked like that, on his tray. Derek--Oh, an abacus! Flash--(laughs) And he had all this shit going on, and we're like, "What the fuck?!?!" "Oh, I'm just taking care of this..." And then I remember that we didn't get any food on that flight, and we were begging those Skittles from him! (laughs) Derek--Oh my god, when we got pulled over on the way to practice, on the way to Keith's once. And the cop has us all out of the car, and he goes to Pete, "What's in that bag?" "My lunch!" He looks at it, and it's all full of candy! Flash--We were on the way OUT of practice. Photo: Breta Branyon Derek--Oh, we were on the way home, sorry! Flash--11 o'clock at night, now Pete worked from 12-midnight until 8 in the morning at a hospital, so I was gonna drop him off at work after rehearsal, and he would bring his lunch. So here it is, 11 o'clock at night, cop pulls us over, we got all this gear in the car, musical crap, and the three of us, (laughs) we don't exactly look like outstanding citizens! He pulled us over because a tail light was out, so we all get out, and he's looking in the car, he's looking at us, he's looking in the car, and he's looking at us! We're all standing out there, he says, "What, are you guys in a band or something?" "Yeah.' He looks and me and goes, "What's the name of the band?" "F." He looks at Pete, "What does that stand for?" We're like, "Oh man." (laughs) "Don't say anything Pete!" He just looks at him and goes, "Nuthin'." (laughs) So this cop's looking in the car, there's a brown paper bag in the back seat, at 11:00 at night, "What's in the bag?" Pete says, "My lunch." (laughs) Cop looks at me "Ah, your tail light is out, you guys can go." It was just that pregnant pause, where we were all like, "Aiiiieee" (mucho ha ha) Were you there for the loaf of bread in the road? We were going out to rehearsal, right about the same place where we got pulled over. And Pete says, "Hey, what's that? Looks like a loaf of bread in the road." I say, "Yeah, whatever." So we drive on to rehearsal, we come back, on our way back home, and he says, "Hey, see if that bread is still there." I said, "What?" He says, "Pull over for a little bit." We pull over, he gets out and gets the bread. I go, "What the fuck?" "What? It's good!"he says. (laughs) He takes it, he's eating it on the way home! I go, "What are you doing man?" "What? There's nothing wrong with it!" (laughs) "You don't know where that bread's been!" (laughs longer) That's Pete for you! Derek--Tell me about you and Pete in high school, how'd you meet? Flash--The first time I met Pete, I was going out to do an audition to be a singer in a band, my first band, and he was there the very same day. Derek--What was the name of the band? Flash--We ended up calling it Stonehenge! (mucho ha ha) Derek--(laughing) You're fucking kidding me! Flash--No, we did our first show (on) New Year's Eve 1977 and Pete was there... Derek--(laughing) Oh my god that's so Spinal Tap. Flash--Yeah, right? Beat Spinal Tap by about eight years or so. Pete was there auditioning to be the drummer, I walk in, and I knew the guitarist, he invited me, that's how I got the audition. So I see Pete there, he set up these drums, and it's a drum kit, but it's five different colors! The tom was from one set, the bass drum was from another, the snare was from...it was all cobbled together. 'Cause he didn't own a set, so he just borrowed stuff from everybody, so he's back there, "Argh, this fucking set" So I said, "Hey, how you doing?" And I go to shake his hand and he...completely blows me off and I'm like,"Oh, busy working on the drums?" alright. So I go and set up the mic and everything, we had a bass guitar, a rhythm guitar, a lead guitar, and my vocal, all going through one amp! (laughs) So I do a, "ONE TWO." Ok, I can hear something, and I go back over to the drums and introduce myself, "Hiya, how ya doin' here?" Same thing, "Ah, these fucking drums! I don't know what I'm gonna fucking do..." I say, "Well, this guy's a fucking work of art, isn't he?" (laughs) And that was the first time I met Pete! (laughs) Derek--Awesome. And you were in high school at that point? Flash--Yeah, Stranahan High School. We hung out in the parking lot in-between classes, and during lunchtime and stuff. And I remember one day he missed school, and it turned out that he had found this bottle of VO (whiskey) that his mom had in his house, drank half of it and got so sick he couldn't come to school. I don't know if you know a song by The Kinks called "Alcohol"? Derek--Oh yeah. Flash--There's a part where it goes, (British accent) "Rum, scotch, vodka on the rocks." And so I took that recording, and I plugged the mic in, and instead of vodka, I said, "VO on the rocks." Put it on tape, and went to pick up Pete to go to school. And as we're going there I'm playing it, and that comes up, and he's just sitting there, and he goes (hysterical laughter) "HAHAHAHA!!!" He says "What the fuck was that?" He goes, "You know? You're gonna be a good friend of mine!" (laughs) Just for that, just for poking fun at him! But we used to hang out in my mom's car, 'cause I was driving then. And um...funny thing, I'd leave it open for him (leave the car unlocked), 'cause he would want to skip class sometimes, and he'd go and just sit in the car and listen to the tape deck, 'cause you didn't need the key to listen to it. And he left a note for me one time, saying, "Hey-ah, thanks for letting me crash in your car...I'll see ya later." And my mom found that note! (laughs) And immediately it was like, (hysterical mom voice) "What happened to the car? Where? What is it? Who did it?" "That was Pete!" (laughs) I was a senior, I was 17, he was younger than that when we were auditioning for that band, I think he was two years younger than me, so I guess he would've been....a sophomore. But we ran in the same bizarre circles at school, of only knowing a few people, we weren't very popular. It's funny, because a lot of people knew me at school, many more than I ever knew, because I have them coming up to me all the time, saying, "Hey, I went to high school with you!" And it's all these fucking old people, that I have no idea who they are! (laughs) But they all remember me, and I...didn't have many friends in school. I wasn't really popular. I think I was...What's the term, anti-popular? Infamous, that's it! Like Charles Manson! BREAK Flash--I was in Scotland when Pete passed away. And I come back, and I've got all these messages on my answering machine, from Mike Chatham, "You gotta call me, you gotta call me, it's real important!" And then a message from his brother, "You gotta call Mike!" And then messages from a mutual friend of ours, "You gotta call Mike." I'm like, "What the fuck?" So I call Mike and I say, "What's going on?" And he says, "Guess what? Pete's dead." I said, "Come on!" He says, "Yep." I said, "Well, what happened?" He says, "Well, some kinda drug overdose." Or something-or-other. I said, "Well, when did this happen?" It happened the day after I left, I'd been gone for two weeks. I said, "So, what happens now?" He said, "Nothing, we already....We had his ashes, we spread 'em in the ocean, I went out there with his family and stuff." I said, "You're joking." I just could not believe that this guy was serious. And he's like, "I'm serious." I said, "Ok." and hung up. So then they came up with this thing, they're having a memorial concert for him, Friday and Saturday at Churchill's. And I said, "Alright, I'll go to that." So I went there, and they had a table set up for his family. And it was basically all bands that he played with, or liked. I remember The EAT did a set, and Charlie played. But it was arranged that I was gonna do a song with the band that he had, because Pete had put out a release, just called "Moss", and he covered an F tune on it. He did "Somebody Nobody", So I said, "Well, I'll come up and sing that." Photo: Breta Branyon They said, "Well, it's a little bit of a different arrangement." I said, "Is it different for the vocals?" They said, "No, the middle part." I said, "Well fine." So I went up....and I thought, "What am I gonna do? I gotta do some typical F show thing." So I brought a tombstone that I made, I made it out of cardboard, and I had written "Pete Moss RIP", and the dates. And Breta, my girlfriend, she was saying, "Yeah, it's really inappropriate, they're gonna have his mom there..." And I said, "Well, I'll make it appropriate, you'll see." So, we get into the song, and during the middle break, I whip that out (the tombstone), and hold that up, and it was (chuckles), so funny 'cause I was sort of questioning it myself, by the look on people's faces, they're like, "Well that's in pretty fucking bad taste, asshole!" But I did have my spray (paint) can with me, and I sprayed the international no sign over the front of the tombstone. And then turned it over, and on the other side I had a large picture of Pete, and it said "Pete Moss forever" on it. And I just sort-of paraded that around, and that won everybody over in a heartbeat, (snaps fingers) in an instant. Derek--Well, that's a very appropriate thing to do. Flash--Yeah, and it was at that show, that I really started to believe that he had passed away, because I saw his mom. And I saw her face and just...without saying anything, I just saw that look on her face and I was like, (incredulously) "He's dead." (laughs) It just hit me, just like that, without any words, I just....And of course, I had to go up to her and say something, so I hugged her, and I said, "Well, what are we gonna do now, without our Pete?" And she was just agreeing...and that was it. And that's when it really hit me, that it was true. Weird, man. Derek--Yeah. You also described Pete as your best friend and your worst enemy... Flash--That's right! (cackles) Pete had a sort of, something in his personality that was self sabotaging. So whenever we happened to be on the verge of actually accomplishing something with the band, in would come Pete to fuck things up! Pete's quitting! Pete forgot his drums! Pete forgot the song, or who knows? I mean, just insane stuff! I'm like, "Goddamn it Pete, what are you fucking doing??" I ended up kicking him out, but I loved the guy, so I ended up bringing him back! (laughs) And I ended up wanting to kill him! It was a real hard road dealing with Pete Moss in the band, I'll tell you that! For all the stuff he smoothed out musically, it was a LOT of friction. And I don't know why! I mean, I think he was much more comfortable with the fight to get to the top, as opposed to ever actually setting foot at the top. Once he had the opportunity, he didn't want it, and he turned around and ran away, and took everybody with him. It may sound weird, but I ran up against that so many times, and it was like, "Man alive! How many times do we have to do this dance, Pete?" It's just this constant circle of, "Here we go, we're getting close to the brass ring, oh no, please don't, AW JEEZ!" (laughs) And that's what I mean when I say my worst enemy, because he kept doing that. He was the kind of guy you couldn't help but love....I never met anybody like him, don't think I ever will. (laughs) A true maniac! Photo: Breta Branyon But he would always back me on the craziest schemes. Whenever I would come up with the most insane thing, like, "We're gonna do this show, And I know this rooftop where we can do it, and at the end of it I can jump off the roof, and just hang by the mic cord!" And everybody else would go, "NO WAY are we doing that!" Pete would go, "Boy, that would be cool!" (laughs) He would back me on stuff like that. I remember us being at an Alice Cooper concert on his 18th birthday, and Alice played "Eighteen" and during it, and it was a million decibels, I remember him turning to me and saying, "This is the greatest time of my life!" (laughs) And to us, it was. It was amazing! Little shit like that comes back to you, I haven't thought about that in 20 fucking years! I don't know. Here's to Pete! Derek and Tom--Here's to Pete! BREAK Derek--Ravenous Gangrene. Flash--Ravenous Gangrene is the best guitarist I ever played with. I'm serious. Derek--He's from the first F. Flash--Yeah. Derek--Did he go on and do the... Flash--Gay Cowboys in Bondage. Derek--Did he go to the other F, or no? Flash--I think...at first. I'm not sure. Derek--He might have been on drums. Flash--Yeah, he was. Derek--But he was a guitar player. Flash--He co-wrote a lot of the first songs, the first set of songs with me. Really imaginative, really inventive and just...had that certain chemistry. And I told this to him recently, that we should have stuck with it, with him and Pete and Mike Chatham, because we had that chemistry that you see in bands from the 60s and stuff. Derek--So you're still in touch with him? Flash--Yeah, I wasn't for many many years, but I got back in touch with him when that record came out, "Four from '84" (7" EP on Burrito Records, 2007), did I give you that? Derek--No, but I want one. Flash--I'll bring that over. So this guy, Bob Suren from Brandon, said he wanted to put out an F EP. And he wanted to use the songs from the first sessions. And so he got in touch with me, and he got in touch with Ravenous to get him to write a little thing for it, and gave me his e-mail. And so after, I'd have to say, I hadn't talked to him since....1984? And so just last year, I hooked back up with him. He still looks great, he's still hilarious. But he had that imagination, different ideas on the guitar. He was the magic guy, and I love him to death, and I really wish.... He's given up the whole guitar thing, and just became a family guy. But god, that was... I listen to the stuff that he's on, and I think, "There's the spark." And that's what I base a lot of my writing on, because the songs that we wrote back then, I didn't know how to play an instrument, so he would write the music and I would write the lyrics, or I would hum a thing to him, like for "I Saw Your Vision", I told him, "I've got this idea for a song, starts off with sort of a (does a galloping rhythm with his hands), and then, DA-DA-DA-DUM!" Photo: Breta Branyon I say, "Yeah, that sounds like it! Does that sound like anything to you? Is that a rip-off?"(of an existing song) He says, "No, it sounds great!" And we just took off from there, it's an unorthodox, four changes, weird measures and stuff, that's all him. And really...I learned from him. Derek--Ok, so I have to go here, where does Ken Decter come in? Flash--Ken Decter was a guy in the crowd. We had lost our drummer, and he said that he had a drum set. Ravenous was a multi-talented musician, he could play guitar, he could play piano, he could play drums, probably other stuff I don't know about. So Ken said, "You know, I've got this drum set, how about we try, I'll play guitar, and Rav can play drums?" So we gave that a shot for awhile, and...it was ok, but Ken was more into hardcore, more into Black Flag, Minor Threat, The Misfits, although The Misfits weren't necessarily hardcore when they started, they were at this time, they had sort of morphed into a hardcore band. So once we started trying to play with Ken, he just...he didn't have a grasp of the songs like Ravenous did, he would just play them at a million and a half miles an hour, and they just lost all structure, lost all melody, lost all rhythm. Derek--So Ravenous went from being on guitar to drums when Ken Decter came in? Flash--Right, for this short spell. Derek--And who was on bass? Flash--We had...originally Bruce (Beast), who was with us with Ravenous on guitar, and he was the first one to say, "This is shit, I'm out. I don't like it." So he was out, he quit, so we got another guy named Tim (Swingle) in on bass. And that lasted for about, I don't know, maybe six months, maybe not even. And then I said, "This is shit, (laughs) and we're out." Derek--And that's where the rift occurred. Flash--And I said, "Everybody, the band is over." And that was it, I just called up Ravenous and I said, "I'm ending it." And that was it. Derek--So what happened from there? Flash--So from there, I think what happened was that there were a couple of gigs that were previously booked, that those guys (Decter and Gangrene) said, "Well let's try and just do these shows, at least." So that's when they recruited Phil (Blumel, aka John Galt), who was also a face in the audience that was a friend of Ken's, so he was called on. Derek--And they were still with Ravenous? Flash--Still Rav playing drums, I believe. 'Cause a lot of this happened under my radar, I didn't know about it until after the fact. So they went on and did those couple of shows. And then I think ah....You know what? I'll have to get you in touch with Ravenous. Photo: Breta Branyon Derek--I wanna be in touch with Ravenous about this, 'cause he needs to be part of this. Flash--Yeah, he'll set it straight, he'll probably be able to talk more freely about it if he's not in front of me. So they (the Decter/ Gangrene/ Blumel/ Nothing version of F) did the shows, and then that was it, I believe Ravenous was out. They did the recording (the "You Are An EP" record), and I don't know if he (Gangrene) was in on that or not (he was), you'll have to ask him. Derek--I'm actually not sure. Flash--Yeah, "You Are An EP", where he (Decter) took four of my songs, Ken that is, did one of his, and did "My Country Tis Of Thee", and called it an album, ha ha ha! Derek--Well, yeah, I heard the other side of that story from Phil, where he... Flash--Well, that's not the other side of the story, that's Phil's side of the story. Derek--Phil's side of the story, where he told me he was recruited to be the singer, but that he thought what Ken Decter did was pretty mean. He said, "Yeah, it was a mean thing to do. And I knew it, but....I was not really a musician, I was recruited to be the singer, so I did it." That's Phil's side of it. I think Ken's the real offender with that. Flash--It's just not anything new, I mean, it's gone on where people try to cash in, because they've had some little bit of success by being associated with someone, they try and that's basically all it was. And it was something that happened for a very short amount of time, because this didn't even go on for a year, you've got to remember, it was a very short amount of time. And it's such a WEIRD thing to have happen, you know? Derek--Well then it splinters into two different things and like, it wasn't done above-board... Flash--But it was never a situation like I was playing, and they were across-town playing somewhere, it was never that, because I said, "That's it! Fuck it, I'm done with you guys! We're over." So I took time off, they did that (the previously planned gigs and the EP), he (Decter) got done with that, and then went on to do a band called Shadow Cabinet. Derek--Oh yeah, I remember that. Flash--So by the time they were doing Shadow Cabinet, I was in the studio. Because I was just fed up with all that shit, I needed a break. So I took a break, and by the time they (Decter/Gangene/Nothing) had moved on to Shadow Cabinet, I was in the studio recording "The Danger Is Here", the first album. Derek--I was just about to ask you, because I used to see those advertised. Flash--Right, so that's the time frame on that. It was NEVER that the two bands were competing, it was never about, "Oh, which one are you gonna go see?" It was just a stupid thing that happened for a very short amount of time, and now it's got all this notoriety. Why? I don't know! I mean, they (the other F) were able to spread the record out and stuff, and....it's the same songs. Photo: Breta Branyon Derek--It's amazing it's gone on that long. Flash--It's just one of those, one of those knives in my back. (forced laughter) Of which there's so many of them now, nobody can put any more in there, all they do is hit handles! (cackles) What a bizarre twist of fate! On the plus side though, people think I'm Phil, and they come up to me and say, "Hey Phil! Great show!" (laughs) And I say, "Thank you very much." So I'll gladly take credit for that shit nowadays, yeah! (forced laughter) It was that, the EP, and a song on a Flipside compilation. They did a version of "Attack". Derek--Oh yeah, that's right. Flash--Terrible version of it. BREAK Flash--So....there was this one time that we were gonna play with The Essentials at Finders Lounge, and the (Miami) Dolphins were playing that day. So they lost, and we got to the show, and there was us, The Essentials, and the bartender, (laughs) and that was IT! And...after a while, he said, "Well, fuck this, we're closing!" I don't know if it's because the Dolphins lost, or if everybody's in a bad mood or whatever, but they closed, the show didn't happen at all. As we're leaving, there's a gang coming down from West Palm, which included Phil (Blumel) and Ken (Decter). So they show up, and we say, "Show is cancelled, what should we do?" So somebody came up with the idea of just going back to the warehouse where we rehearsed, and just playing there. So we went back there, and The Essentials played, and we played....And it started this 'warehouse show' thing. It went over pretty well! And so all these kids that were underage said, "Shit! Fuck the clubs, we'll just go to the warehouse!" Go to the warehouse, bands can play, people can sleep in the warehouse until the next day, then they can get up and go home. So that sort-of started that, that became a thing. And...we would have a few different people show up, and play, and.... Derek--How often did that happen? Flash--Sporadically, maybe once or twice a month. But this one time, there's always that one time, you know? This was in a warehouse district, and there was a guy there that worked on TVs, something happened, he was going out of business or whatever, there was a bunch of TVs that he had put by the dumpster, (that) he was getting rid of. So we're playing that night, we go there, set everything up, get the mics and everything going. I said, "Hey, did you see those TVs?" "Yeah." Photo: Breta Branyon "Yeah! Alright..." So we collect up, eleven? I think it was eleven TVs. And line 'em up in front of the warehouse. And I'm thinking, "We can do better than (to) just smash these TVs." I go home, and I get the gas can for the lawn mower, and bring that back. So we're playing, (and we) get to the end of the show, we always would end with "Destroy", as the last song, smash everything up. So we get to the end of that, I take the gas can, pour it over these TVs and light 'em up! And that shit goes off like you wouldn't fucking believe! (laughs) And neither could I, that stuff was reaching the roof of the frigging warehouse! I mean, it was outside, we weren't THAT crazy! But these flames were...twenty feet, I'm out there, I'm hitting these TVs with a sledgehammer, and it's funny, 'cause I've got a couple of... Derek--While they're on fire? Flash--While they're on fire! And I've got a couple of pictures of it, and the first one is me setting the fire, the second one, the person is like, ten feet away. The third one, they're over here, and then they're running for their lives, and it looks like a holocaust happening in the distance! (laughs) And I'm smacking these things with all I've got, and I'm going, "Fuck!"...I know I'm close to getting burned, I don't have a shirt on so I know my shirt's not gonna catch on fire, but the handle of the sledgehammer is getting hotter and hotter, and I'm going, "Holy shit!" So I smash everything that I can possibly hit, and as I remember, the flames got too big, I couldn't get 'em all. I don't even remember how we put them out! We got done and everybody's like, "Holy shit! That was fucking incredible! We love it!" And then somebody said, "We gotta get rid of this stuff!" So they pulled the fence away that they were up against, pushed everything out into the empty lot behind it, pulled the fence closed, ran inside, and just then the police showed up. They come in, and they're looking around, and going, "Was there a fire here?" We say, "No, no, no." They look out at all these TVs out in the empty lot, and they're looking at us, and we're like...."What's up?" (laughs) They talk to me, they get my name and everything, and I'm sitting there talking to them, "La la la la..." Very straight and everything. (Menacing police voice) "Whatever you did, don't do it again." "Yes sir!" And that was our biggest warehouse show! Derek--That's awesome. Flash--(laughs) It was funny because everybody was really against it, "Don't do that! Don't do that, man, it's gonna be a problem, don't set those on fire!" I'm like, "WHY?? Get out of here! Who's fucking running the show?" (cackles) Shit, I remember our drummer at the time didn't like all the auto-destruction one bit. Derek--Who was that? Flash--His name was Tom Coe. He's the guy that played with us at Finders, and he was always saying, "If I see you onstage looking like you're gonna have a heart attack, I'm gonna stop playing!" I said, "Yeah, you DO that!" (cackles) BREAK Photo: Breta Branyon Flash--So we got this opportunity to open for The Misfits. They were coming down, the show was already planned, and Ken (Decter) was a big fan so he called up the club. Derek--And what line-up of F is this? Flash--This is Ken, Ravenous, me and Bruce, it was '83. He called up Finders and begged them to be on the bill, and...basically they said, "If you'll play for free, we'll put you on the bill." So we went for it, got down there, and did our thing. It was sort of funny meeting the Misfits, 'cause they...you know, you see the image, they had that extended widow's peak, which was really long hair from the back. So really, they had long hair, it was just combed forward. And they had a hotel room nearby, we got to hang out with them for a little while, and they were pretty nice guys. They came on, did their show, blew the fuse in the whole place, nothing but the bass amp was still working, for some reason. I think it happened twice during their show. And afterwards they packed up their gear, they had this cool red van with a false floor. So if you open the door, the floor would have been a foot higher than in a normal van. And they had made it out of wood with black carpeting. And you could open it up, and put the guitars inside of there, close it up, and it looks like there's nothing in the van at all! They said living in New York, they had to do that to keep everything safe. And I remember them counting the money from the gig, because they needed to get a new tire, to get to the next show, one of their tires was shot. And Glenn (Danzig) was talking about stopping at Dunkin' Donuts, because he wanted to go in and ask for a (Dracula voice) "Blood donut!" He said, "I wonder what she'll say when I ask her for a Blood Donut." And overall they were pretty cool, we all got along, that was a fun show. And it was the original Misfits! |